‘Your seats are down that way’, the steward gestured us down the steps towards the Wembley pitch. I was expecting for me and her to climb steps upwards, only finding our seats when our noses bleed and lungs rupture. I’m not sure why that would be my posture. Perhaps it was a defence mechanism against disappointment. Then again, looking around the stadium, seeing half of it bathed in Chelsea blue, it would be hard for this fan to be disappointed today, even if I had to lose a lung as a result. But as it stood, we were sitting about 10 rows from pitch side, the manager dugout about diagonally 30 feet away, surrounded by Blues supporters and it feels absolutely surreal. Those lonely nights in front of the telly at mostly-witching hours, urging the team on with a cup of coffee in one hand while clenching the edges of the couch with the other has led me to this. Finally, fiction has become fact.
The journey to the stadium was an experience in itself and I was determined to take it all in. We took the train from Queensway, following the Central line. With each stop, sporadic pockets of Chelsea and Southampton fans boarded, with the train gradually morphing from a hodgepodge of random colours into a forming sea of blue and red. As the train filled, I grew more self-conscious about wearing my jersey. We had this season’s matching away kits on. I thought about how we looked. Two Asian tourists, with new-ish kits on looking like this date with Wembley would be a one-and-only. I felt judged. I clearly did not look like I was reared in the bowels of Putney or Parsons Green. But I wished so much I was at that moment, only because it would embellish me with much needed credibility to wear this kit. I look to the left and see a young father and his son in a black Chelsea polo-tee and Hazard-10 blue kit respectively, enjoying their train ride to the stadium. The son was waxing lyrical about the rumoured return of Ramires and how he thought Cabellero is a better keeper than Courtois (the boy obviously has no idea what he’s talking about). It was a nice picture of what Sunday football is or could be.
Once we found our seats, it took us a while to settle into the occasion, to take everything around me in. When I eventually did, I noticed the Chelsea players warming up just a stone’s throw from where we were. Pedro was kicking a ball into a second goal behind the actual one, Gary Cahill was leading the starting lads on a jog-about in the foreground. She notices her favourite player Willian. Actually she probably noticed his hair before him. In many ways, watching these players in the flesh is more gob-smacking to me than catching an Arcade Fire concert. I’ve spent probably more meaningful time watching them in the last two years than I have listening to Win Butler and co. But these are not rock stars bathed in spotlight, designed to look more superior than the average human being. The one thing that immediately struck me was just how human they looked and moved. Stripped of dramatization from eager commentators, they just look like a bunch of athletic individuals preparing for a bout of sport. I found it doubly intriguing just how normal and approachable they looked.
It was strange to take in a top football match without accompanying commentary. I have been so used to watching all matches with the velvet-voiced Peter Drury guiding my eyes and thoughts that at first, I found it a little bewildering on what I should be focusing on. My eyes darted around furiously during the opening exchanges, going from the dugout where Chelsea manager Antonio Conte was typically doing his best impression of a corporate executive with a rat running about in his pants to the fans all around me back to the pitch where I just about caught Willian doing a typical mazzy run by accelerating himself past a couple of Southampton players. Quarter of the match in, it felt like my eyes had just participated in the London Marathon (incidentally, also happening that day).
There was also the ‘Stand Up If You Hate Tottenham’ song to keep things ridiculous throughout. Thankfully, my detention time in the closet of bewilderment was chopped short thanks to a bunch of hilarious Chelsea fans just behind us. No commentary, no problem, they came up with their own. No Drury like vocal warmness or even the monosyllabic droll of Beglin. What we got instead was snappy British humor without the watching eye of censors and powered by a pine or two. They went after Cahill first (‘Calm down Gaaraay’), were suitably incensed when Bakayoko was asked to warm up (‘Sit back down Bakayoko’), segwayed to how well they would do if they entered the London Marathon (‘I would just cab it to the end’) and even delivered some absolutely gob-smacking industry-changing ideas (‘personally, I think if you are earning 100,000 quid, you should not be offside, ever’). I was so entertained by their commentary that I was a little lost again when they came back late from half-time drinks. It was 0-0 at half-time, 2-0 at the end, thanks to Giroud and Morata. It had been a glorious afternoon, mainly because I was glad that I did not spend the monetary equivalent of my right butt cheek to watch my team crash out of the FA Cup semis
It was a fittingly rapturous end to our London sojourn, and a nice shift of pace from the museum-filled day on Saturday, a day which began with a lovely brunch with Audrey and Guy, followed by a whole day of filling our minds with a bit of culture. There may or may not have been some delectable cod goujons and ale in between (there was).
The British Museum offered little intrigue for me. My travels have shown me that I have rather low affinity for historical museums. Then again, I should know this, especially when my Form Five history teacher chose to pinch me in the stomach when I asked her for my History forecast results. With each turn of her fingers, she was exorcising two years worth of nonchalance I have given her in the class. I suppose it was a big moment for her. For me, I guess it worked out well that I never headed to college immediately after secondary school otherwise I would have some difficulty explaining why I was able to obtain forecast results for all subjects except history, ‘I got a pinch instead’; ‘What’? ‘Yup’. I can see how something like the Rosetta Stone would’ve been a fantastic fast forward button in deciphering Egyptian hieroglyphs at the time when it was discovered, but that’s the thing, everything I am looking at in a historical museum is something that would’ve had its time in the sun a long time ago. In the now, framed against our current landscape, the Rosetta Stone looks well, like a large rock with inscriptions on it. I would’ve been just as excited to read about its relevance in a book. Looking at it offered little additional value for me. The sight of middle age tourists senselessly snapping photos of it with their flashes on, with phones on mounted monopods, just made it more of a turn off for me.
On the flipside I had a thoroughly enlightening time at the Picasso 1932 – Love, Fame, Tragedy exhibition at the Tate Modern. I normally would’ve been less than elated with an exhibition of this sort but the additional £4.50 we shelled out for the Audio Guides turned out to be a wonderful ROI for me. I am attracted to narratives, I need to see art within the context of its conception and not just as a piece on its own. I do not enjoy drawing my own subtexts from it. Perhaps I am lazy. I like it served to me, guiding me like a homing missile towards the intended target. The audio guides in the Picasso exhibition offered this to me in abundance. The narratives were forward and clear. The pieces I was looking at were created during the time when his first marriage was falling apart and he was obsessed with his new object of lust, Marie-Thérèse Walter. It offered a glimpse into the mind of a philandering genius who was struggling to cope with the expectations from the public and the forbidden lust he was feeling in his soul. It was a fascinating sojourn that unwrapped the crucial year of 1932 and what Picasso was feeling and being inspired by at that moment.
I spent a lot of the time I was in the exhibition thinking about motivations and inspirations and how they drive our expressions. Picasso had a wonderful medium to express himself, and the talent to do it. He captivated many with his creations, borne a lot out of his own desires, feelings and frustrations. I was wondering about the people who are not privy to such an outlet. What then happens to these feelings? Do they get filed into a deep cabinet in their mind and heart, left to fester like an infected wound over time. And what does that ultimately lead to? Well, dinner in my case. The one thing I’ve learned from age is that when storms hit your mind and you find yourself being bewildered by challenging existential questions, just feel yourself a lot of fried rice and go to sleep. I’ve found in most cases, it’s a new day when you wake.
Nothing resets the mind better than carbohydrates.